Reflection and identifying next stage

I have to admit I drive myself crazy at times navigating my way through a project is at times testing. Moving forward then hitting a creative block. I think that is part of my working process, creating and getting absorbed by cresting a lot of experimentation ideas, jumping from one thing that creates another idea before I know it I end up with a mass body of work I at times have no clue what or were to go with it losing my direction of communication. On reflection on this process what always happens I think the key point I am trying to work out for myself is to stop and go back to my research and identify what could fit or have potential to visually communicate.


These images above created from my drawings and experimentation’s below using a USB microscope. I feel if I new this was a thing before I got to this stage of my project, I would have looked at creating my work from a different angle maybe? I feel that they are communicating cell structure’s more clearly than my drawings below.


But it has opened a new dimension for me photos below are fabric/textiles a sock for example. I think what I am truly interested in is seeing the unseen. As visual people there is only so much our naked eye can see. So much of the world passes us by being unseen as we just don’t have the ability to see it. A sock is still the same even if it is not looked at for the item but under 1000x microscope it still remains a sock but not as we would visually connect with.

I still haven’t quite worked out the final thing for this project. I am going to explore some text that can maybe help inform and make sense of the cell structures I have been looking at in nature and the body. I am working towards an A5 book with a text intro to help the viewer make sense of my images. It being small and conditioned in this way as I am looking at the microscopic world. I don’t feel this project will be resolved not yet anyway. I feel this is the start of a bigger line of investigation which could go many different ways and feed into many different areas of my work and I am OK with that think the awareness of this is key, to allowing things to naturally evolve like they have already.

USB Microsope

This is what I have been missing all along through this project all along. It wasn’t until I had no idea were to go or even how I could pull this together. Having key conversation I think I have sussed it out??? well maybe.

project reflection

I have reached a stage within this project that I have now identified the area I am interested in which is looking at cell structures, seeing the un seen. After a stage of creative block and having a conversation about this has allowed me to pin point my direction more, I have all their foundation work I just need to pull it together. How do I create the structure of a cell? They are not 2D objects and I cannot rely on drawing alone to make sense of this unseen world that is around us, I am going to use the skills I have with using my camera and see how photography light and Photoshop can allow me to refine and expand what I am looking and to communicate more effectively. Also, I have managed to get my hands on a USB microscope I am able to give my 2D work a new life of its own creating cell structures within the texture of mixed media drawings. Which I will as a project create contact sheets to show further refinement within my project and between 4-6 prints exploring my work under the microscope, allowing the viewer to think they are looking at something that isn’t exactly what they think it is.

next steps

Reflecting on my work in process so far and I am finding that photographing elements,with doing so I am seeing a different quality in some of the shapes. Could this be another way I can progress my work forward creating the physical but the overall outcome be collating elements into a digital process without using digital drawing and manipulating my work into digital process?


scaling up and scaling down

Realization of this process. The idea of scaling my work up and working on A2 seemed like a logical sense to start with the goal being four A2 layered prints. This Tuesday I hit a brick wall why was this not working? why is it still feeling overwhelming to work on this scale? I had scaled up the paper but I was still working very small within the space.

Cut paper down to A3 instantly makes it feel more real to work with as no matter how I tried I couldn’t work big enough to work within the A2 space. Since then I have now scaled down further to A4 and A5 with the thinking as my project is based on ‘unseen beauty of life’ and looking at microscopic cell structures. I believe I have made the right choice for my project to make sense.

Image result for paper sizing

Andrew foster

So the other week we got a chance to meet Andrew foster and have him talk about his working practice. I have to say he is soo cool (cheesy yes I know) Prior to his visit i had briefly looked at his work in regards to my semiotic project ‘the language of lace’ How he incorporates intricate lace drawings within the layers of his work, and was really moved by some of the meanings behind his work in reason to real personal life events .

Detail of Andrew Foster painting


blue screen workshop

Definition of this:  a photographic technique in which a subject is filmed in front of a blue background so as to allow matte compositing of the film with other footage; also the blue background

One day workshop creating a narrative by making cardboard props to shoot film using this technique theme: picnic, we was basing our film on the psychedelic elements of Alice in wonderland.

As you can see from the photos, people were in either blue suits or hidden by blue fabric

Creating the illusion of the props being an important aspect of this process. ( video to follow having problems uploading at present)